Keeping this latency to a minimum is especially important when your signal also hits a video board and LED processor before being displayed. While I haven’t specifically texted the Tricaster, the lip sync issues are noticeable to me even just displaying on a broadcast monitor, and I would guess it’s probably adding at least 3-4 frames of latency on the SDI inputs. They also tend to have great support from what I understand (beyond the standard help methods they have multiple people active in the discord for the sub ready to answer help questions or just general questions about operation).įor in stadium video boards, a Carbonite will only add a line or two of latency to the video if the cameras are genlocked, or a little over 1 frame if they are not. The switcher itself is 100% hardware based, and absolutely rock solid. Ross falls in line with the other bigger brands that are used in “real” productions like Grass, Sony etc. Nothing against people who use them a ton, but I’ve noticed a lot of people who work mainly on them seem to brush the issues off as normal. OTOH if you are selling sponsored elements based on things running from the switcher it functioning perfectly every time may very well be worth the money. Im a stadium if there is another control system between you and the boards, you may not consider this a big deal if you can just dump to a graphic when issues arise. It’s also not uncommon to see freezes, glitches, significant panel lag (press a button and the action takes sometimes multiple seconds to happen). When you are using a Tricaster, the question is always when it will crash, not if.
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